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MEAT

“Pilot”

 

Written by

Paul Merrill

 

 

Copyright 2005 Paul Merrill

 

 

 

ACT ONE

 

Fade in:

INT. mortimer's apartment - moRNING - closet

A cow-shaped alarm clock strikes six and moos loudly.  MORTIMER, an energetic, childlike man, sits straight up and shuts off the alarm clock.  He is eager to start the day.  As he stands up, he gets caught in the clothes hanging in his makeshift bedroom.

Outside CLOSET

Mortimer stumbles out of the closet, covered with clothes and hangers.  He shakes them off casually and walks into the living room.

Living room

We see RAHIM, Mortimer's roommate.  He sits about a foot in front of the TV, playing a video game.

Mortimer

Hey Rahim.

Rahim ignores him.  Mortimer walks into the kitchen.

Kitchen

Mortimer grabs bacon, ham, and sausages from the fridge and tosses them onto a hot skillet.

MORTIMER

So, Rahim.  I don't mean to be a jerk or anything, but this sleeping in the closet thing, it's really starting to bother my back.  I was just thinking maybe, since I'm paying the rent and everything, maybe I could have the bedroom.  I mean, it's not like you ever sleep, right?

No answer.

MoRTIMER (CONT'D)

It's really no big deal.  We can talk about it later or something.

Mortimer drains the grease from the skillet into a coffee mug. 

MORTIMER (CONT'D)

Anyway, maybe you could just think about it.

Mortimer takes a big swig from the mug.

CUT TO:

EXT. ace meat company - DAY

Establishing Shot

INT. ACE MEAT COMPANY - break room

Mortimer and FRANCIS enter, dressed in bloodied overalls.

Francis

Mortimer, if you say one more word...

MORTIMER

I don't understand...

They both sit at a table by a window.

FRANCIS

Mortimer!  This is a job.  A job, O.K.?  You come in, you get dirty, they pay you a few bucks, then you go spend it on booze.  That's all this is.  I don't want to hear about your new ideas to improve meat processing, or about the pleasure you take in wrapping a T-Bone in cellophane, or how important you think this company is in maintaining our place on the freakin' food chain!  I hate this dump!  I don't want to think about it.  I don't want to talk about it.  The whole time I'm here, I'm closing my eyes and pretending I'm in a happy place.

MORTIMER

Well, you see?  That's how we differ, Francis.  This is my "Happy Place".

FRANCIS

Mortimer, I have to kill you now.

Francis is about to strangle Mortimer as ADAM ONE and ADAM TWO walk in.  Adam One is a big dumb lug who wears a "No Beer, No Work" hat.  Adam Two is a short dumb lug who wears a "No Work, No Beer" hat.  Both are dressed in bloodied overalls like Mortimer and Francis.  Adam One has a large bloody bandage on his right hand.  They are both giggling like ninnies.

MORTIMER

Holey Moley!  What happened to your hand, Adam One?

Adam two

He lost a finger in the weenie machine!  Huh-huh-huh!

FRANCIS

Again?

Adam one

I was hungry.

ADAM TWO

Doc sewed it back on, but he said this was the last time.  Huh-huh-huh.

ADAM ONE

You'd better shut up, Adam Two, or I'm gonna pound you man.

A screechy sound comes from the overhead PA Speaker, then, a VOICE.

PA SPEAKER

VOICE

Attention:  Will Employee Number 5-378 report to the Manager's Office?  Employee Number 5-378, to the Manager's Office.  That is all.

Everyone except Mortimer starts fumbling with their employee badges, trying to find out their employee number. 

MORTIMER

Oh my God.

CuT TO:

Hallway

Mortimer is walking quickly down the hallway, towards the Manager's Office.

MORTIMER

Please don't fire me.  Please don't fire me...

He reaches the door to the Manager's Office.

manager's office

Mortimer enters the office timidly.  We see an empty office, except for a PA Speaker hanging from the ceiling.

Voice

Employee Number 5-378?

MORTIMER

Yes, sir.

VOICE

Employee Number 5-378, you have been chosen Ace Meat's Employee of the Month.

MORTIMER

Whoa!  Wow.  Thanks!

VOICE

Here is your photo, to be hung on the hall of fame...

A small door opens in the ceiling, and a framed 8"x10" of Mortimer drops out and lands on the floor.

MORTIMER

Gee whiz, that's great.

VOICE

...and here is your complimentary ham.

A ten pound ham falls from the ceiling, smashing the framed photo on impact.

MORTIMER

I love ham!  Thanks!

VOICE

That is all. 

Mortimer picks up his ham and the shattered bits of his picture.

MORTIMER

Wow.  This is so great.  Thank you so much.

WALL of fame

Mortimer has duct-taped the photo frame back together and is hanging it on the Wall of Fame. 

MORTIMER

Oh man!  Wait until Rahim hears about this!

Mortimer stands back to admire his photo.  He smiles, and walks off down the hallway.  As he leaves, we see that the last 56 employees of the month have all been Mortimer.

Int. Mortimer's apartment - nIGHT

Mortimer is telling Rahim about his wondrous day.  Rahim is playing an ultra-violent video game and ignoring Mortimer.

MoRTIMER

...and then he says "That is all."  Like, all official like.  "That is all." It was awesome, man.  You should've been there.

(pause)

Oh, I'm sorry.  I didn't mean like "You should've been there at work".   I mean, I know you can't work because of your carpal-tunnel syndrome.  I can't believe you can even play video games like that with your condition. 

(pause)

Oh crap.  I'm sorry.  "Your condition"!  I'm such a jerk.  I didn't mean to like, stigmatize you or anything. I don't know what is coming out of my mouth sometimes.

(pause)

So, did you get a chance to think about the sleeping arrangement here?  I mean, since you don't ever really sleep, I thought maybe I could use the bed?  Just at nights, of course.  I wouldn't even ask, except the closet has been really harsh on my back.

Rahim doesn't acknowledge Mortimer's existence.  They sit in silence for a few awkward moments.

MORTIMER (CONT'D)

It's cool.  I can tell you have a lot on your mind.  I'll just stay in the closet for now.

(pause)

Ha!  "Stay in the closet"!  Ha!  Get it?  Like I was gay or something.  But I'm not.

int. ACE MEAT COMPANY - break room - the next morning

Mortimer and Francis are walking towards Adam One and Adam Two at their usual table.  Mortimer is holding his back.

FRANCIS

Yeah, my wife makes me sleep on the couch sometimes too, on account of the snoring.

MORTIMER

He's not my wife, Francis, he's my roommate.

They sit.

FRANCIS

Whatever.

adAM TWO

Girl problems?

FRANCIS

You got that right.

MORTIMER

No!  Look, we're just friends.

FRANCIS

Heh-heh-heh.

MORTIMER

I mean, he's not even a girl!

Adam tWO

Hey, I heard about those.  They're like, uh, transistors.

FRANCIS

Transvestites.

ADAM ONE

Whoa!  Mortimer's a homo!

FrANCIS

You shut your Goddamned mouth! Mortimer's our friend and we support him, unconditionally.  You got that fatso?

MoRTIMER

Can I...?

ADAM ONE

I didn't mean nuthin' Francis!

ADAM TWO

Yeah!  He didn't mean nuthin'!  He's practically retarded!

ADAM ONE

Yeah! 

(pause)

Hey...

MoRTIMER

Will you let me talk?

ADAM TWO

We support you unconditionally Mortimer.  Like he said.

MORTIMER

Shut up!  I mean, thanks, but it's not like that.  Rahim is just my roommate.  That's all.

FraNCIS

Mortimer, you pay the guy's rent.

MORTIMER

He can't work.  He's got that Carpal Tunnel Syndrome deal.

FRANCIS

He sleeps in your bed.

MORTIMER

I like sleeping in the closet!  It's only temporary.

FRANCIS

And you never even talk about girls.

MORTIMER

You know I don't have time for that.  My career comes first.

AdAM ONE

Huh-huh.  Career.

Adam TWO

Yeah.

FRANCIS

You see, that's your problem right there.  You spend all your time thinking about this slop-hole.

ADAM TWO

You should get a hobby.

Adam one

Yeah.  Hobby.

adam TWO

Everybody needs a hobby. Me and Adam have our band, Francis has his drinking...

Francis nods approvingly.

MORTIMER

You guys don't get it, do you?  This is more than just a job to me.  We're the backbone of the world's meat supply for God's sake! Sure I'm just a cog in a huge, magnificent meat-making machine, but I'd like to think my cog is the shiniest and best cog in the history of cogs!

FRANCIS

Where's my gun?

Suddenly, there is a ruckus near the window. A WORKER shouts ...

Worker

Hey!  Look outside!

Everyone huddles around the windows.

ADAM ONE

Is it snowing?  Is it snowing?

FRANCIS

It's July, you stupid jerk.

ADAM TWO

No!  It's a girl!

 

CLOSE SHOT - MORTIMER

We see Mortimer slowly turn towards the window, and then, his face lights up as if he's just gazed into the Ark of the Covenant.

MORTIMER'S POV - BEATRICE

Through the window, we see what Mortimer sees: BEATRICE.  An aging punk, she stands alone outside the plant, holding a sign that reads "Meat is Murder".

FRANCIS

That ain't no girl.  That's a Goddamned vegetarian.

Mortimer hears none of this.  He has found his soulmate.

 

DISSOLVE TO:

Montage

 

A)   Mortimer and Beatrice run through a field of white             lilies.

 

B)   Mortimer and Beatrice have a picnic.  They feed             each other barbecued ribs.

 

C)   Mortimer gives Beatrice a tour of the factory.

 

D)   Mortimer lets Beatrice use the meat-cutting machine.          Blood splatters Beatrice's face.  They both laugh.

 

BACK TO SCENE

Mortimer is in a happy place.

CuT TO:

InT. ACE MEAT COMPANY - break room - THE NEXT DAY

Mortimer is sitting alone at a table, drawing on a stained piece of butcher paper.  Francis approaches.

FRANCIS

(to Mortimer)

Whatcha' doin'?

MORTIMER

Oh, uh, nothing.

FRANCIS

C'mon, lemme see.

MORTIMER

It's really bad.

FRANCIS

Awww...

MORTIMER

No, I mean, really bad.

FRANCIS

Give.

(grabs drawing)

Francis' pov - drawing

We SEE that it's a "Betty Page" type pin-up sketch of a buxom Beatrice, wearing only an apron, cooking a big slab of meat on a barbecue.  CUE stripper music.

FRANCIS

Good gravy!  Check out the bazoombas on that broad!

(pause)

Holy crap!  It's that protester chick from yesterday!

MORTIMER

I love her, Francis.

FRANCIS

(sits)

Aw Jeez.  Mort...

MORTIMER

I love her, and we're going to have children together.

FRANCIS

Oh you poor, crazy kid.

MORTIMER

Two boys and a girl.  And a dog.

FRANCIS

Mortimer, do you know what a vegetarian is?

MORTIMER

Of course.  They take care of the sick animals.

FRANCIS

No.  A VEG-etarian.  Huh-boy.

(sighs)

O.K., you know meat?  The stuff we make here?  The stuff your whole damn "magnificent cog" life revolves around?  Well, this may come as a shock to you, but vegetarians hate meat.

MORTIMER

That's ridiculous.  Why would anyone hate meat?

FRANCIS

I don't know.  I think it's some kind of mental defect.  Anyhow, this girl you saw yesterday is one of these vegetarians.

Mortimer stands up, his face full of anguish and outrage.

MORTIMER

You, you dirty liar!  You take that back!

FRANCIS

Whoa sport.  Easy does it.

MORTIMER

No, you... easy... does it!  I'm not exactly sure what one of these,         

these Veg-a-librarians is, but I'm not going to stand here and let you slander the name of my future wife and mother of my children!

Mortimer grabs his drawing from Francis and storms out.  Everyone else in the break room stares at Francis.

FRANCIS

(to everyone)

They just switched his medication.

A screech is HEARD from the overhead speaker.  Then, a voice ...

VOICE

Attention lackeys.  It has come to our attention that our company is being threatened, at this very moment, by domestic terrorists.

Everyone (except for Francis) begins to stir.

VOICE (CONT'D)

If you are a freedom loving American, and if you value your employment here at Ace Meats, you will do everything in your power to fight these evil-doers.

A slight murmur from the crowd.

VOICE (CONT'D)

Did I mention the free ham?

The crowd roars with delight and charges off to battle the "terrorists".  Francis sits by himself. 

ExT. ACE MEAT COMPANY - front lawn

We see Beatrice, alone, waging her own one-woman protest.  She marches back and forth, holding a "Meat is Gross" sign. She sings a protest song ...

Beatrice

Get up, stand up. Stand up for your rights.  Do you remember the days of slavery...?

Suddenly, an angry mob of WORKERS appear.  They have several barrels of meat by-products.

WoRKER #1

(pointing at Beatrice)

There's the terrorist!

Worker #2

Get him!

 

The workers start reaching into the barrels and pulling out the wretched contents.  The first barrel is marked "Stomach Linings", the second "Snouts", the third "Other".

BeATRICE

Terrorist?  Who, me?!

The workers begin hurling the meat refuse at Beatrice.  She tries to dodge them, but is soon overcome by the rain of bloody animal parts.  Just then, the CAMERA PANS BACK to reveal two sportscasters, DICK and FRANCO, sitting behind a desk on the front lawn.  Both men are wearing suits.  Franco is wearing a football helmet.

Sports desk

DICK

Welcome to the "Meat" halftime show.  I'm Dick Chompley, joined as always by football great Franco Hamilton.

(turning to Franco)

What did you make of that first half, Franco?

Franco

Well Dick, I thought the home team came out there with a real solid game plan, and executed it to perfection.  Their timing was pretty good, they used good fundamental slapstick, and I think putting a complete moron in the starring role was a bold move by the coach.

DICK

Yes, how would you rate Mortimer's performance so far?

FRANCO

Well Dick, I feel like Mortimer came out real fired up for this one.  He had his game face on, and gave 110 percent out there on the field.

DICK

So, you think he's got a chance to win the girl in the second half?

FRANCO

No way in hell, Dick.

DICK

(turning back to camera)

You heard it here first: "No way in hell".  Let's head back to the field for what we hope will be a violent second half.

Back to scene

Beatrice is still being pummeled with entrails. The troops, however, are running dangerously low on ammo.

WORKER #1

Hey!  We're almost out of ammo!

The workers look around for something to throw.  Worker #1 sees Adam One eating a hot dog.  The worker snatches the weenie from him.  Adam One starts crying.

WORKER #1 (CONT'D)

Terrorize this!

The worker throws the weenie at Beatrice.  The CAMERA FOLLOWS the weenie sailing through the air.  Beatrice whirls around in SLOW MOTION, her agape mouth serving as target for the heat-seeking hot dog.  Just then, a HAND ENTERS FRAME and snags the weenie in mid-air.  CAMERA PULLS BACK to reveal Mortimer holding the weenie.  He turns to the crowd, and crushes the weenie in his fist, Bruce Lee style.

MORTIMER

(to crowd)

Is that any way to treat a lady?

Mortimer turns to Beatrice, all sly-like.  Beatrice kicks Mortimer in the groin.  Hard. 

CuT TO:

Sports dESK

DICK

Whoa Nellie!  That's gotta hurt.  Let's see that again, Franco.

CuT TO:

Instant replay

We see a slow-motion instant replay of Beatrice (now in a football uniform and helmet) kicking a field goal, with Mort's testicles serving as the "ball".

FraNCO

As you can see, she really stepped into this one, driving it right through the uprights.

DICK

And it's good!

FRANCO

Not for him.  Ha-ha-ha!

Franco and Dick share a long, uncomfortable laugh.

DICK

(to Franco)

God, I love you.

Back to SCENE

CLOSE-UP of Mortimer on ground, dazed, with eyes glazed over.

 

 

 

FADE OUT:

 

END OF ACT ONE

 

 

ACT TWO

INT. MORTIMER'S APARTMENT - EVENING

Mortimer is sitting in a chair, holding an ice pack on his groin.  Rahim is sitting on the floor in front of the TV, playing a video game. 

MORTIMER

Why does love have to hurt so much, Rahim?  I mean, I always though that when you found the right person, it'd be like fireworks and stuff, you know?  We'd both instantly know we were soul-mates and we'd jump into our solid-gold car and drive off to paradise with tin-cans tied to the back.  Instead, she kicks me in the groin.  Have you ever been kicked in the groin, Rahim?  It hurts.  A lot.  Why would she do that?  Why would she hurt the man she loves?  Is it all part of this strange game called "love"?  I'll be the first to admit that I'm not an expert on girls, but a kick to the groin seems a bit extreme.  They say "communication" is the key to a successful marriage.  Maybe I'm not communicating my feelings.

Mortimer grabs a piece of paper and a pen and begins to write.

MORTIMER (CONT'D)

"Dear... beautiful girl.  Hello..."

He scratches his head, then continues.

MORTIMER (CONT'D)

"How are you?"

He sits for a moment, proud of his clever writing.  Then he continues.

MORTIMER (CONT'D)

"My name is Mortimer.  I would like to have a marriage with you.  Could we have lunch together?  O.K. Bye. Love, Mortimer."

He is beaming now.  He admires his handiwork.

MORTIMER (CONT'D)

Oh man!  I am so smooth.

CUT TO:

EXT. ACE MEAT COMPANY - THE NEXT DAY

Beatrice is on the front lawn protesting again.  Mortimer is standing a few inches from her.  She pretends he is not there.  He hands her his letter.  After a moment, she takes it and reads it.  Then she kicks him in the groin again.  This time, however, it's Beatrice who falls to the ground in pain, holding her foot.

MORTIMER

You know, I had a feeling you might do that.

He pulls a frying pan out of the front of his pants and tosses it aside.

MORTIMER (CONT'D)

What's with all this hostility?  Is it because of the love?

Beatrice bites Mortimer's ankle viciously.  He crumples to the ground.

MORTIMER (CONT'D)

Jesus!  I thought you were a vegetarian!

BEATRICE

Piss off, butcher!

MORTIMER

Whoa!  Hold on!  Butchers work at the supermarket. 

(proudly)

I'm an Assistant Meat-Handler.

BEATRICE

You're a murderer!

(points at him)

Murderer!  Murderer!

MORTIMER

No, it's "meat-handler".  "Assistant Meat Handler" actually, but it's only a matter of time until that promotion comes along.

BEATRICE

You kill cows in that factory!

MORTIMER

You see?  This is all just a big, silly, misunderstanding.  We don't kill any cows here!  That's done in the slaughterhouse in Bakersfield.  We just cut up the meat and package it.

Beatrice grabs the frying pan and nails Mortimer on the head with it.

Cut TO:

InT. ACE MEAT COMPANY - BREAK ROOM

Mortimer is sitting at a table, surrounded by Francis, Adam One and Adam Two.  Mortimer is holding a cold steak on his badly bruised face.

ADAM TWO

Women.

ADAM ONE

Yeah. Women.

MORTIMER

She called me a murderer.

FRANCIS

Ah, she's nuts.

ADAM ONE

Yeah. Nuts.

mORTIMER

I mean, we don't really murder cows, right?

No answer.

 mORTIMER (CONT'D)

Francis, you said that cows liked to be eaten. That it gave them a purpose in life.

The two Adams bust out laughing, but Francis' steely glare shuts them up.

FRANCIS

Well, Mortimer... look, this broad is off her rocker.

(awkward pause)

She's a terrorist!

ADAM ONE

Yeah!  Terrorist!

Francis stares daggers into Adam One's face.

MORTIMER

First she's a vegetarian, now she's a terrorist.  I don't know what to believe anymore.

CUT TO:

InT. ACE MEAT COMPANY - MANAGER'S OFFICE

Mortimer is sitting in a chair, talking to the speaker again.

MORTIMER

So that's why I'm here.  I figured if anyone knew how to handle "girl-problems", it'd be you.

There is a pause, then a ham drops from the ceiling.

MORTIMER (CONT'D)

(quietly disappointed)

A ham.  That's great.  Great.

CuT TO:

EXT. ACE MEAT COMPANY - FRONT LAWN

Mortimer is sitting at the Sports desk with Dick and Franco.

MORTIMER

So I figured if anyone knew how to handle "girl-problems", it'd be you guys.

Dick and Franco look at each other awkwardly.  They all squirm in painful silence.

CUT TO:

INT. MORTIMER'S APARTMENT - NIGHT

Mortimer talks while Rahim plays a video game.

MORTIMER

So I figured if anyone knew...

Mortimer stops and thinks about what he's saying.  He bows his head in defeat and heads to his closet.

Closet

Mortimer lies in his cramped closet/bedroom, looking at the his well-worn drawing of Beatrice.  He sticks it to the wall, alongside dozens of other similar drawings of Beatrice, and stares at it as his mind wanders.

DISSOLVE TO:

Flashback

Mortimer remembers a very special talk his FATHER had with him long ago.  We see Mortimer's POV as his Dad hands him a condom.

FATHER

Take this, my son.  Use it when you find that special lady.

Back to SCENE

Mortimer digs the 20-year-old unused condom out of his wallet and stares at it.

CUT TO:

EXT. ACE MEAT COMPANY - FRONT LAWN

Mortimer hands the condom to Beatrice.  He smiles.  She looks like she's going to rip his spine out.

CUT TO:

eXT. HOSTPITAL - LATER

We HEAR a siren as an ambulance pulls up to the curb of the Emergency Entrance.

Int. HOSTPITAL - room

Mortimer is lying in bed.  Both his arms are suspended in casts.  He has a neck brace and looks awful.  Beatrice walks into the room.  Mortimer is overcome with fear and tries in vain to escape.

BEATRICE

It's O.K., I'm not going to hurt you.

Mortimer lets his guard down a bit.

MORTIMER

Oh.  Sorry. It's sort of a reflex action now.

BEATRICE

Yeah, intense physical trauma can do that.

MORTIMER

Yeah.

BEATRICE

So, I just came by to say how sorry I am.

MORTIMER

Really?!

BEATRICE

Well, yeah!  Do you think I enjoyed beating you to a pulp?

(pause)

Well I didn't!  My whole life has been committed to non-violence and being kind to animals, but something about you just made me want to kill you.

MORTIMER

I get that a lot from people.

BEATRICE

You just caught me off guard, I guess.  I'm a neo-leftist, feminist-socialist.  I'm not used to people being nice to me.

Mortimer nods knowingly.

BEATRICE (CONT'D)

So, anyway, maybe we could just start all over again, without all the violence. Uh, what's your name again?

MORTIMER

Mortimer.

BEATRICE

Mortimer.  Nice to meet you.  I'm Beatrice.

Beatrice shakes Mortimer's injured hand, causing intense pain.

MORTIMER

Yaaaaa!

BEATRICE

Oh God!  I am so sorry!

MORTIMER

Ah, ah, it's O.K., ah...

BEATRICE

I didn't mean it this time, honest!  Heh-heh-heh.

MORTIMER

Heh-heh. Yeah.

BEATRICE

So Mortimer, will you let me make it up to you?

MORTIMER

Marry me.

BEATRICE

Ummmm, no. 

MORTIMER

Be my "steady".

BEATRICE

I was thinking more like a cup of coffee.

MORTIMER

Really?!  You'd buy me a cup of coffee?  Holy crap!

BEATRICE

Calm down.  It's just a cup of coffee.  That's it.

MORTIMER

You've made me the happiest man on earth, Beatrice.

BEATRICE

Yeah.  Great.  So when are they gonna let you out of this place?

MORTIMER

Six weeks.

The door opens.  Francis, Adam One and Adam Two walk in. Francis is holding a large sack.

FRANCIS

Hey there kid... Holy crap!  It's the terrorist! 

AdaM TWO

Get him!

The gang starts to rush Beatrice.

MORTIMER

Knock it off you guys!  Everything's fine now.

BeATRICE

It's O.K. Mortimer.  I was just leaving.

Beatrice walks towards the door.  The gang stands in stunned silence.

BEATRICE (CONT'D)

See you in six weeks.

MORTIMER

Yeah.  Six weeks.

Beatrice leaves.  After a moment, Francis speaks.

FRANCIS

What in the hell was that all about?

MORTIMER

Just a little something called a date.

FRANCIS

A date?  With the terrorist?

MORTIMER

She's not a terrorist.  She's a Beatrice.

FRANCIS

A Beatrice who tried to disembowel you three times this week.

MORTIMER

We've all got issues, Francis.

ADAM TWO

Yeah, Francis.  Like that transistor you used to date.

FRANCIS

Transvestite... You shut your pie hole!

(to Mortimer)

Anyways, how are they treating you here, Mort?

MORTIMER

Great!  They have me hooked up to this thing where I don't even have to get up to pee.

AdAM TWO

Awesome.